He knows that women are more protected and provided for when cared for by a husband. I had a classroom of undergraduates before me, all of whom were in the vicinity of 18-21 years old-except for one student.
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And Paul was thrilled to remain free from those responsibilities so that he could pursue with single-minded devotion the ministry to which God had called him.Think about it. Some believe that the apostle Paul was married because history tells us that a member of the Sanhedrin was required to be married. It may be a season, or it may be for life. He identifies himself as unmarried in 1 Corinthians 7:8: "To the unmarried and the widows I say that it is good for them to remain single, as I am." As an example, if the Corinthian church had not experience… Staying unmarried like Paul is good. Marriage has certain responsibilities that come with it. And it was great.But I was teaching this text about widows, and when I laid out the interpretive options (“it is better to marry than to burn with passion” But I never forgot what she said because I think it rang really true. In verse 34, an “unmarried” person is distinguished from “virgins” who have never been married. For one thing, it’s held that Paul was a member of the Sanhedrin, the Jewish ruling council, and (the argument goes) a man had to be married in order to be on the Sanhedrin. Clearly, he was not married at that time, but whether he married afterward is also a matter of speculation. As an exemplary Pharisee (Philippians 3:5-6), Paul would have sought to fulfill the creation mandate to “be fruitful and multiply,” which means he almost certainly would have been married at some point.ĭon’t feel constrained by Paul’s example. Ask God to make the paths plain for the “unmarried” calling he’s given you. The gender is masculine in Greek, and when paired with “widows” it seems like Paul means to address those who were previously married but whose spouses have passed away.And what does Paul say to these widows and widowers?I would tweak one small thing about the ESV rendering. And she had decided that she wanted to come back to school and learn the Bible, and so there she was in the midst of all these whipper-snapper undergraduates. Steward that calling well for as long as you have it. The film is currently distributed in Region 1 by The Criterion Collection and for the Italian market in Region 2 by 20th Century Fox.History tells us that to join the Sanhedrin a man must be married. The producers were initially skeptical about the film, and used some misleading tactics to hook the public's interest-such as the original poster featuring famous comedian Totò in a prominent position even though he has only a minor role.
The film is also notable for its breezy jazz score by the composer Piero Umiliani, who helped develop the style of the jazz soundtracks now considered characteristic of European films in the 1960s and 1970s. Claudia Cardinale also featured in a minor role (a chaste, black-clad Sicilian girl, almost held prisoner at home by her overbearing brother, played by Tiberio Murgia), although she would later rise to fame for other work. The careers of both Gassman and Mastroianni were considerably helped by the success of the film-Gassman, in particular, since before then he was not deemed suitable for comedic roles. The main roles are played by Marcello Mastroianni, Vittorio Gassman, Renato Salvatori, Carlo Pisacane, and Tiberio Murgia. As the film's heist scene bears a striking resemblance to that of the film Rififi, the film is often considered a parody of that film. The film is a comedy about a group of small-time thieves and ne'er-do-wells who bungle an attempt to burglarize a state-run pawn shop called Monte di Pietà in Rome. Its original title translates as "the usual unknown persons", a journalistic and bureaucratic euphemism for "unidentified criminals" or "usual suspects". Big Deal on Madonna Street ( Italian: I soliti ignoti, also released as Persons Unknown in the UK) is a 1958 Italian criminal- comedy film, directed by Mario Monicelli, and considered to be among the masterpieces of Italian cinema.