Deselecting the “Contiguous” checkbox will cause the Magic Wand to ignore connections and instead select any pixels on the canvas that are close in color to the one that you clicked on while keeping your tolerance settings in mind. In other words, only one area will be selected. Think of this setting as telling the accuracy with which Photoshop will match the pixel that you click on.īy default, the magic wand will make a selection of similar pixels that are actually connected to each other. A higher tolerance will select more of the image, a lower tolerance will select less. The tolerance allows you to control the sensitivity of the color selection criteria. Three of these are particularly important: Tolerance, Contiguous, and Sample All Layers. The key to using the Magic Wand Tool effectively (apart from using Refine Edge) is to familiarize yourself with the settings. The results are rarely as good as you want them to be but if you have truly solid color fields then it can work decently.
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In fact, Refine Edge is so good at repairing a poor selection, I even find myself reaching for the Magic Wand from time to time!Įveryone knows how to use this tool: click on an area and Photoshop will attempt to select that area based on color and contrast. Now, that being said, the recent edition of the “Refine Edge” command has pretty much saved the Magic Wand. Yes, that’s a blanket statement but historically this is a pretty awful tool that has led to decades of hideous selections. I’m going to be honest up front, this is a tool that is primarily used by users who are either new to Photoshop, lazy or inexperienced with other selection methods. Next up is our old friend the Magic Wand Tool. Simply hold Space and you can reposition the in-process selection. Combining the two, “⇧⌥”, will give you a proportional shape that grows from the center.įinally, it’s extremely useful to know that you can actually move the selection around while you’re still in the process of creating it. Holding Option (Alt) will allow you to start the shape from the center rather than the top left. When you hold Shift, the shape will be constrained to perfect proportions (a perfect circle or square).
These tools follow a standard that you’ll find repeated across the entire line of Adobe desktop publishing apps. This isn’t the end of the keyboard functionality though, “⇧M” will allow you to quickly switch between the rectangular and elliptical versions without venturing into the submenu. This will typically bring up either the rectangular or elliptical version, depending on which you last used. When you’re working with any other tool in Photoshop, you can switch to the Marquee Tool with a quick “m”. However, they are extremely helpful and should be kept in mind when you’re trying to undertake the difficult task of making single pixel selections. In all likelihood, you’ve probably never used these.
Though you can switch to them directly via the keyboard, hidden in the submenu of the Marquee Tool are the Single Row and Single Column Marquee Tools. Not much to it right? Not so fast, let’s look at a few quick tips that you should know when working with the Marquee Tools. With it, you can draw a box or circle to select a portion of your canvas. Odds are, you already know all about this one. We’ll start with the most basic selection tool in Photoshop: the Marquee Tool. Let’s take a look at each of the major selection techniques and discuss what they are, how to use them and under what circumstances you should consider implementing them. Some methods work better when there’s a lot of contrast in the image to work with, others help when there’s almost none. Some methods are better suited for creating quick and dirty selections when you don’t need a lot of accuracy, others are better for creating precise, pixel perfect selections. The answer is a resounding “absolutely.” Every single method of creating a selection that you can come up with has particular strengths and weaknesses. So why bother learning them all when you can just get really good at using one? Is it really necessary to know eight or more different ways to create a silly little selection? For any given action, there’s always a handful of different ways to go about it! This is especially true of creating selections, which is an action that Photoshop excels at and has tons of features to support.
Photoshop is a mammoth of an application that’s seemingly ripe with redundancy. Web Templates Landing Pages & Email Fonts Sans Serif, Script & More CMS Templates Shopify, Tumblr & More